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Aimee Bender

The Particular Sadness of Lemon Cake

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«Such beautiful writing.» — Jodi Picoult
The wondrous Aimee Bender conjures the lush and moving story of a girl whose magical gift is really a devastating curse.
On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents’ attention, bites into her mother’s homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother’s emotions in the cake. She discovers this gift to her horror, for her mother — her cheerful, good-with-crafts, can-do mother — tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes a peril and a threat to Rose.
The curse her gift has bestowed is the secret knowledge all families keep hidden — her mother’s life outside the home, her father’s detachment, her brother’s clash with the world. Yet as Rose grows up she learns to harness her gift and becomes aware that there are secrets even her taste buds cannot discern.
The Particular Sadness of Lemon Cake is a luminous tale about the enormous difficulty of loving someone fully when you know too much about them. It is heartbreaking and funny, wise and sad, and confirms Aimee Bender’s place as ’a writer who makes you grateful for the very existence of language’ (San Francisco Chronicle).
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  • atalantbir izlenim paylaşıldı7 yıl önce
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    I did not mind the dialogue structures, I have read Saramago, some Joyce and a lot of Maddox, so it was not really a big deal. But I felt very empty of emotions, and not in a good, "oh life is complicated and this novel is revealing that sad universal truth to me" way. By the end of the novel I felt the real story was starting to unravel, with a young Rose learning to coexist with her power thanks to a new, quaint, homely restaurant family. But her powers and her family powers are never truly explored as I think they should. They are shown to make their carriers feel uncomfortable, they make the reader uncomfortable, but the questions that arise over these strange sufferings are never fully adressed. I think potentially good writers with interesting ideas need good editors who tell them that they are drifting into anecdotes, into sudden descriptions that only add volume to the book but not coherent substance. As a short story, or a short novel, without the brother and other side-tracked elements, this could have been a very heartfelt, introspective novel. As it is, it is just a strange recollection of superpowers, a broken family and silences.

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