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Susan Choi

Susan Choi is an American novelist known for her fiction exploring identity, memory and social conflict. Her work includes The Foreign Student (1998), American Woman (2003), A Person of Interest (2008), My Education (2013), Trust Exercise (2019) and Flashlight (2025). Trust Exercise received the National Book Award for Fiction.

Born in 1969 in South Bend, Indiana, Susan Choi grew up in a family shaped by Korean and Jewish heritage. Her parents divorced when she was nine. She then moved with her mother to Houston and studied at the High School for the Performing and Visual Arts.

Susan Choi earned a degree in literature from Yale University in 1990 and completed an MFA at Cornell University. Early work in New York journalism began soon after. She worked as a fact checker at The New Yorker, where she later met her husband.

Her first novel, The Foreign Student (1998), told the story of Chuck, a Korean student marked by war, and Katherine, a young woman shaped by her own troubled past. The book shifted between Tennessee and South Korea and explored trauma, desire and the search for connection. It won the Asian American Literary Award for Fiction.

American Woman (2003) examined radical politics in the 1970s through the figure of Jenny Shimada, who sheltered three young fugitives. One of these was a kidnapped heiress who embraced the cause of her captors. The novel focused on fear, duty and the pressures of life in hiding. It became a finalist for the Pulitzer Prize.

A Person of Interest appeared in 2008. The book centred on Professor Lee, a mathematician suspected by investigators after a bombing killed a colleague. Choi used the plot to explore paranoia, regret and the pressure of public judgment. The novel won the PEN/W.G. Sebald Award.

My Education (2013) shifted to a tale of desire and error. It followed Regina Gottlieb, a graduate student drawn into a perilous affair with her professor’s wife. The story traced the impact of that relationship across many years and earned the Lambda Literary Award for Bisexual Fiction.

Trust Exercise (2019) is set at a competitive arts school in the 1980s. Two students, Sarah and David, entered into a fraught romance shaped by their acting teacher's influence. A shift in narrative form later revealed new truths about the events described. The novel addressed trust, power and the limits of memory. It won the National Book Award for Fiction.

Flashlight (2025), shortlisted for the Booker Prize, followed the disappearance of Louisa’s father during a night on a beach. The narrative moved across Japan, the United States and the Korean diaspora. It explored grief, family history and the gaps left by untold stories.

Choi also wrote the children’s book Camp Tiger, published with art by John Rocco. She received fellowships from the National Endowment for the Arts and the Guggenheim Foundation. Her awards include the Asian American Literary Award, the PEN/W.G. Sebald Award, the Lambda Literary Award and the Sunday Times Audible Short Story Award.

Susan Choi teaches in the Writing Seminars at Johns Hopkins University and lives in Brooklyn.

Photo credit: susanchoi.com
yıl ömür: 28 Ocak 1969 – şu an

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With the recent exception of Dutra, to this point my whole sexual history, which I flattered myself to consider quite epic, might have been represented on my tomb wall with a single hieroglyphic comprising the principal features of the Byronic type. All through college with instincts befitting a bloodhound I’d unearthed variations on this theme, boys with long hair and tormented, hooded eyes and a cramp in the wrist from the thick hardbound Collected Journals of Kierkegaard they insisted on carrying everywhere without the benefit of a backpack. They all tended to brood and weep thrillingly, they were as sexually suave as castrati, and they were perhaps all in love with one another, not me. But by some accident of my early environment I’d been raised on them, as a person might be raised on an unnourishing, bland home cuisine, and then want to eat nothing else. In Brodeur I’d recognized the paragon of my type. Yet at each visible point he so exceeded the prior examples, I suspected he might be a superior type altogether.
trexalıntı yaptı2 ay önce
Though the wine was, perhaps, the best-quality wine I had ever yet tasted, so that I didn’t perceive it as “very good wine” but, as her body had been though with many times less potency, as some entirely new category of pleasure; and though the food, Friel’s pesto and all, dazzled me with its goodness and elegance, for I had never seen cheese that resembled quartz stone, nor a cookie from France with a boy’s figure so neatly stamped in the chocolate that each of his coat buttons showed, nor a silken pink meat that was not boiled ham from the deli; and though we ate mutely, like wolves, as the light died around us, restoking our bodies of all they had spent; in truth we were not really tasting the food or the wine, and our muteness was swollen with words.
trexalıntı yaptı2 ay önce
She winced at my touch. “Engorged,” she murmured. “Ugh, you’re all wet. I’m sorry. Because the kid wouldn’t eat.” Although her voice was calm she twitched away sharply when I peeled back the drenched cloth from her breast. “No,” she said, but I’d already felt the breast’s hardness and heat, as if changed by infection.

“No!” she repeated, and now I felt what she must have, overpowering me at the start of our day, when she shuddered and capsized, emanating a guttural, helpless, admonishing moan as I sucked on the nipple until with a shocking mechanical suddenness, like a shower head being turned on, her hot milk filled my mouth. It queasily tasted of vegetation, and of her, but mostly and sickeningly of itself, but I was so hungry for the taste it obscured, of her flesh, that I gulped it down just to get past it, and past it, and past it, until her soft breast moved and squelched, deflated, underneath the harsh probes of my tongue, and she’d groaned in relief and then grabbed my head literally by the ears, and forced the other hard breast in my mouth.

“You sick thing,” she gasped when I was done.

“I love you,” I told her gravely, but she brushed this off, nimble and devilish again.
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