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Nathan Dunne

Tate Introductions: Lichtenstein

Roy Lichtenstein is one of the best-known and accessible artists of the pop art generation of the 1960s. Taking much of his subject matter from comic strips and popular advertising, Lichtenstein produced large, rigorous and highly stylised paintings such as “Whaam!” and “Drowning Girl”. Challenged on the originality of his work, Lichtenstein maintained that its purpose and presentation made it more than just reproduction, and with his characteristic playfulness argued that the purpose of his art was not to be original at all. Lichtenstein's imagery has endured through the decades and is still as iconic as it was fifty years ago, as this fascinating introduction to his life and work proves.This consice book, written by Nathan Dunne, a writer and the editor of Tarkovsky (2008), is the perfect introduction to the life and work of this pop artist and painter.
37 yazdırılmış sayfalar
Telif hakkı sahibi
Bookwire
Orijinal yayın
2014
Yayınlanma yılı
2014
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Alıntılar

  • Tata Osipovaalıntı yaptı5 yıl önce
    When he died on 29 September 1997 at the New York University Medical Center, due to complications with pneumonia, he was mourned as an artist whose ‘whole strategy of appropriation paved the way for a generation of artists not yet born’.
  • Tata Osipovaalıntı yaptı5 yıl önce
    Thus the unbridled conviction of the happenings inspired Lichtenstein’s own artistic breakthrough. He said of them: ‘Happenings used more whole and more American subject matter than the Abstract Expressionists used’.
  • Tata Osipovaalıntı yaptı5 yıl önce
    ‘I really don’t think that art can be gross and over-simplified and remain art,’ said Lichtenstein in an interview with John Coplans in 1972, ‘I mean, it must have some subtleties, and it must yield to aesthetic unity, otherwise it’s not art’.
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